LUCY Academy

Foundations: write and finish a song · Lesson 7 of 7

Training your ears so every other lesson lands

20 minFoundationalFree

Everything earlier in this track assumes you can hear what you just did. Most people can't, at first — not because their ears are bad, but because nobody taught them what to listen for. Ear training is the one skill that quietly improves every other lesson here: it turns writing from trial and error into decisions, and it turns mixing from nudging faders into fixing a named problem. Twenty focused minutes a week beats an occasional three-hour session.

What you’ll be able to do

  • Hear intervals and chord changes instead of guessing at them
  • Diagnose a mix problem by name rather than by nudging faders
  • Build a listening habit that fits around actually making music
  • Know which references to trust and how to use them

Inside this lesson

  1. 1Watch first: a method, not a mystery
  2. 2Start with movement, not note names
  3. 3Hear chord changes as movement
  4. 4Mix listening: name the problem
  5. 5Use references properly
  6. 6A habit that survives a busy week

In the app

Take this lesson in the LUCY app

Open it in LUCY and the lesson rewrites itself around the music you make, reads itself aloud while you work, and answers questions about your own releases. Free with your account.

  • Rewritten around your genre and where you're at
  • A coach that can see the releases in your account
  • Narrated — put it on while you work
  • A badge for the track when you finish it
Start this lessonFree with your LUCY account · opens the app if you have it

In this lesson you will learn: Hear intervals and chord changes instead of guessing at them. Diagnose a mix problem by name rather than by nudging faders. Build a listening habit that fits around actually making music. Know which references to trust and how to use them.

About this lesson

Everything earlier in this track assumes you can hear what you just did. Most people can't, at first — not because their ears are bad, but because nobody taught them what to listen for. Ear training is the one skill that quietly improves every other lesson here: it turns writing from trial and error into decisions, and it turns mixing from nudging faders into fixing a named problem. Twenty focused minutes a week beats an occasional three-hour session.

What this lesson covers

Hear intervals and chord changes instead of guessing at them

Diagnose a mix problem by name rather than by nudging faders

Build a listening habit that fits around actually making music

Know which references to trust and how to use them

Inside this lesson

Watch first: a method, not a mystery

Start with movement, not note names

Hear chord changes as movement

Mix listening: name the problem

Use references properly

A habit that survives a busy week

Take this lesson in the LUCY app

Open this lesson in LUCY and it rewrites itself around the music you make, reads itself aloud while you work, and answers questions about your own releases. Finish the track and the badge is yours. Free with a LUCY account.