Royalties & business · Lesson 4 of 7
Sync licensing basics: what to pitch, splits, and rights
Sync placements combine **master** (recording) and **composition** (publishing) rights. Indies win when splits are clear, files are organized, and expectations match how TV/film/ads actually buy music.
What you’ll be able to do
- Master vs composition rights in sync
- What supervisors need: clean splits, stems, alternate mixes
- Library vs direct pitch: realistic expectations
Inside this lesson
- 1Watch first: how a placement actually happens
- 2Prepare assets
- 3Reality check
- 4Industry snapshot
In the app
Take this lesson in the LUCY app
Open it in LUCY and the lesson rewrites itself around the music you make, reads itself aloud while you work, and answers questions about your own releases. Free with your account.
- Rewritten around your genre and where you're at
- A coach that can see the releases in your account
- Narrated — put it on while you work
- A badge for the track when you finish it
Don’t have it yet?